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Peter Quince Performing Company, Ltd.
Through arrangement with
Tams-Witmark Music Library, Inc.
Presents
No, No, Nanette
music by Vincent Youmans
lyrics by Irving Caeser and Otto Harbach
book by Otto Harbach and Frank Mandel
adapted by Burt Shevelove
Show dates n/a
Location n/a
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Producer's Note from the program
Good Evening,
As the curtain opens tonight, mat I present to you a show which is a polished glimmer of the total efforts of our company.
Time is an intangible quality of life. It is even more elusive in theatre. For all the efforts that are put into a production, the results are only fleeting moments of human performance and emotion. The instantaneous delivery of a line, the crescendo of the orchestra, a dancer's vault, or a light change on the cyclorama, these sensory experiences are but for a moment. What lingers on is your mind's image, a tingle of your emotions, an impression which will always remain.
What is the motivation for theatre? Perhaps it is the silent effort of everyone involved; from the first time a script was opened, that first yard of muslin tacked to a lumber framework, to the last dab of greasepaint, and the ultimate closing of the curtain; all these efforts attempt to present to you, our audience, a mural of a summer in the dimensions of a thumbnail sketch.
Tonight, put on the hat of a seasoned Sherlock Holmes, and see if you can't discover in NO NO NANETTE the clues to a story of theatre, young people, and a company called Peter Quince; it's a fantastic experience!
Thank you for helping blend the colours from which a theatrical portrait of gratitude and cooperation will be painted.
Kurt P. Jaehnig
Producer/Chairman of the Board
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Director's Note from the program
There are many facets to this business of theatre, but perhaps the two most important are the growth and sharing. The playwright shares ideas and feelings with the director and actor, the director and actor share with each other,the actors share with the audience. Through this process the play grows from words and musical notes on paper to a living, dynamic being. After the last light has been hung and the last line learned, if the play and cast have not grown together, the show is not ready.
The cast and crew of our production have worked hard and sacrificed much over the past weeks to make NO NO NANETTE as fine a show as possible. I am proud and pleased to have been a part of this growth. Not unlike Jimmy Smith of this evening's performance, out goal has been, in part, to spread sunshine. You are here tonight. If we can share something of ourselves with you, the cycle is complete. We want to be happy!
David Coons
General Director
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Cast
| Principals |
| Jimmy Smith | | John Grosshuesch |
| Sue Smith | | Lyn Ahlswede |
| Nanette | | Mary Jo Bachnik |
| Billy Early | | David Cummings |
| Lucille Early | | Elizabeth Childs |
| Tom | | Mark G. Weller |
| Pauline | | Sherry Larson |
| Betty Brown | | Barbara Coons |
| Winnie Winslow | | Lori Waack |
| Flora Latham | | Gail Mahnke |
Chorus |
Cheryl Swift
Terri Temme
Peggy Foerg
Laurie Ihde
Peter Davis
Chris Jaehnig
Jim Buth
Jim Hansen
Mark Graupman
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Lorie Buchholz
Kay Steckmesser
Julie Gerndt
Gail Brefczynski
Jane Ruthmansdorfer
Randy Siebert
Brian Jorgensen
Ric Johnson
Dave Snowden
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Pit
| Jay Koritzinsky | | Director |
| Laura Vits | | Rehersal Pianist |
| Janilee Nelson | | String Bass |
| Tim Pagel | | Piano |
| Mike Sigman | | Bass |
| Neil Koch | | Guitar |
| Barb Carey | | Percussion |
| John Hansen | | Violin |
| Joan Markwart | | Violin |
| Cindy Poulos | | Violin |
| Carrie Poulos | | Violin |
| Ned Paschke | | Violin |
| Brad Ihlenfeld | | Clarinet |
| Sue Bursek | | French Horn |
| Debbie Wessely | | Trumpet |
| Heidi Arnold | | Oboe/English Horn |
| Paul Schroeder | | Horn |
| Pete Pankratz | | Trombone |
| Mike Anhalt | | Trumpet |
| Dave Plumb | | Trumpet |
| Ann Flaherty | | Bass Clarinet |
| Greg Anderson | | Clarinet |
| Lynn Lovelien | | Flute |
| Roz Kueter | | Flute |
| Eric Torkelson | | Saxophone |
| Steve Weinert | | Saxophone |
| Debbie Rusch | | Bassoon |
| Paul Schmaltz | | Trombone |
| Rick Jebavy | | Percussion |
| Lori Ahlswede | | Violin |
| Ed Willet | | Cello |
| Ann Kohlbeck | | Cello |
Crew
| Construction | | Mark Aumann
Sue Abramovich
Jim Barnes
Eric Bush
Ann Davis
Tracey Geimer
Laura Hanson
Martin Jacobi
Steve Jacobi
Mike LeClair
Kevin LaCosse
Randy Leifer
Debbie Martinez
Brian Mast
Katy Myre
Mindy Nelson
Chris Neuser
Beth Nikolai
Shawn Reilly
Jana Richberg
Bob Buppelt
Gail Russell
Tara Russell
Howie Sigman
Sue Taak
Dave Wage |
| Costumes | | Cindy Bonk
Diana Carey
Marilyn Derris
Jodene Hrudka
Laurie Ihde
Terry Johnsen
Jill Sigman
Michele Vetter |
| Stage Crew | | Eric Bush
Terri Henderson
Mary Hyland
Chris Krause
Kevin LaCosse
Brian Mast
Shawn Reilly
Bob Ruppely
Linda Weber |
| Painting | | Dodi Dalton
Ann Davis
Tracey Geimer
Ann Graff
Laura Hanson
Katy Myre
Mindy Nelson
Sheila Rasmussen
Gail Russel
Tara Russel
Michele Vetter
Phyllis Walter
Karen Westberg |
| Properties | | Tracey Geimer
Laura Hanson
Theresa Krueger
Marcia Lamers
Ann Leschke
Jana Richberg
Gail Russel
Tara Russel |
| Follow Spots | | Jim Bjorklund
Nancy Reichert |
| Lighting | | Martin Jacobi
Dave Wage |
| Sound | | Kurt Jaenig
Steve Jacobi |
| Make-up | | Kelly Anhalt
Anne Bouffard
Bob Brasser
Gail Brefczynski
Anne Davis
Ann Demsien
Maria Duby
Tracey Geimer
Beth Nikolai
Nancy Reichert
Debbie Rusch
Gail Russell
Barb Sabin
Shelli Vetter
Robin Walters
Karen Westberg |
| Office Staff | | Lars Aleckson
Peggy Foerg
Ann Greff
Mary Hyland
Patty Keehan
Chris Krause
Katy Myre
Sue Nichols
Sheila Rasmussen
Howie Sigman
Michele Vetter
Linda Weber |
| Programs | | Mark Aumann
Peggy Foerg
Chris Krause
Joan Krueger
Molly Larson
Maty Myre
Jana Richberg
Jill Sigman
Mike Sigman |
| Graphic Arts | | Duffy Primm
Jill Sigman
Shelly Vetter |
| Ushers | | Carie Bronson
Ann Graff
Meg Hamann
Ida Hansen
Erin Hayes
Patty Keehan
Marcia Larsen
Penny Miller
Mindy Nelson
Sue Nichols
Sheila Resmuson
Mary Jo Riebe
Sue Rohrer
Amy Skarda
Karen Stark
Fran Timberlake |
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Board of Directors
Producer/Chairman of the Board: Kurt Jaehnig
Assistant: Mark Anderson
President: Mark Anderson
Vice-President/Business Manager: Mark Graupman
Secretary/Treasurer: Joan Krueger
Public Relations: David Kollath
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Directing Staff
General Director: David Coons
Choral Director: Tracey Skeels
Orchestra Director: Jay Koritzinsky
Choreographer: Mary Ellen Childs
Technical Director: Daniel Hornung
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Production Council
Stage Manager: John Dramm
Assistant Stage Manager: Mark Aumann
Office Managers: Mark Graupman and Karen Stuckmann
Painting Chair: Jana Richberg
Graphic Arts Chair: Bob Snowden
Construction: Dan Hornung
Assistant: John Dramm
Costumes: Laura Vits
Lighting: Chris Neuser
Make-up Chair: Joan Krueger and Lynn Rosinsky
Programs: Ann Coleman and Linda Weber
Photography: John Leslie
Properties Chair: Mark Aumann
Assistant: Mindy Nelson
Head Usher: Anne Bouffard
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Musical Numbers
| Overture | | Orchestra |
| "Too Many Rings Around Rosie" | | Lucille and Boys |
| "I've Confessed to the Breeze" | | Tom and Nanette |
| "Call of the Sea" | | Billy and Girls |
| "I Want to be Happy" | | Nanette and Jimmy, Sue, Boys and Girls |
| "No, No, Nanette" | | Nanette and Boys |
| "Finaletto Act One" | | Tom, Nanette, and Chorus |
| "Peach on the Beach" | | Nanette and Chorus |
| "The Three Happies" | | Flora, Betty, and Winnie |
| "Tea for Two" | | Tom, Nanette, and Chorus |
| "You Can Dance With Any Girl" | | Lucille and Billy |
| "Finaletto Act Two" | | Entire Company |
| "Telephone Girlie" | | Billy, Flora, Betty, and Winnie |
| "Where Has My Hubbie Gone Blues" | | Lucille and Boys |
| "Waiting for You" | | Tom and Nanette |
| "Take a Little One-Step" | | Sue and Company |
| "Finale" | | Entire Company |
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Pictures
None
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