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Cast
Principals Tommy Albright: Jerry Kronberg Jeff Douglas: Brian Arndorfer Stuart Dalrymple: Dean M. Peterson Sandy Dean: Jim Willett Meg Brockie: Christine Smith Archie Beaton: Kurt Jaehnig Harry Beaton: Steve Hoge Andrew MacLaren: Jeffery Kuchenbecker Fiona MacLaren: Lynn Hoge Jean MacLaren: Mary Van Haren Angus MacGuffie: Paul Hacker Charlie Dalrymple: Jim Wrolstad Maggie Anderson: Elizabeth Childs Mr. Lundie: Jim Ihde Frank: Victor Schwartz Jane Ashton: Laurie A. Hirssig Townsfolk of Brigadoon: Lyn Ahlswede, Wendy Arnold, Lori Bugenhagen, Sara Geisler, Kent Gottschalk, Mary Hansen, Leon Holschbach, John Hoyer, Linden Hutchison, Laurie Ihde, Ann Kaufmann, Mary Kaufmann, Sharon Kuchenbecker, Cheryl Mast, Karen Miller, Efrem Muchin, Paul Reilly, Mary Anne Sfat Specialty Dancers: Elizabeth Childs, Kent Gottschalk, Cindy Seidl, Leon Holschbach, Janet Loritz, Randy Goeke, Sharon Mrotek, Paul Reilly, Jill Sigman, John Pfeifer |
Pit
Director: Candyce Ruppelt Assistant Director/Concert Mistress: Chris Hansen Oboe: Heidi Arnold Viola: Lori Benishek French Horn: Jane Bowers Percussion: Barbara Carey Clarinet II: Diana Carey Trumpet II: Peter Davis Violin II: Sue Delaney French Horn: Mike Fordney Violin II: Mary Goetsch Violin II: John Hansen Bassoon: Cindy Harder Clarinet I: Brad Ihlenfeld Trumpet I: Paul Johnston Violin II: Barb Knab Clarinet I: Dave Kollath Viola: Judy Nagel Violin I: Rick Nagel Bass: Janilee Nelson Percussion: Jean Ravanelli Violin I: Trudy Reilly Flute: Sue Schrank Bass: Mike Sigman Flute: Becky Sleger Oboe: Mary Weber Cello: Ed Willett Cello: Lori Zimmerman |
Crews
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Lighting
Clarence Black Dennis Larson Charles Luebtke Set Construction John Allen Mark Aumann Clarence Black Dave Cummings Mike Dobeck Mark Hoffman Bruce Humphrey Bennis Larson Chris Nueser Painting Marilyn Bloom Nancy Bydalek Ann Coleman Sara Geisler Sue Hoge Cindy LaDuke Barb Oerum Jana Richberg Donna Stanzel Lisa Taylor Makeup Patty Arndorfer Margaret Crechard Sue Delaney Tracy Goetz Mary Hansen Kim Klotzbuecher Joan Krueger Sharon Kuchenbecker Barb Oerum Ann Pfeifer Jodi Zarn |
Set Design
Tom Skatrud Ron Breitwisch Rory McBeath Billboard Ann Coleman Jean Nelson Marilyn Bloom Jana Richberg Props Holly Bruns Ann Coleman Lindy Luisier John Mueller Mary Van Haren Jana Richberg Costumes Cindy Boeckman Charlene Cain Lauri Calkins Diana Carey Sara Geisler Sue Hoge Sharon Kuchenbecker Karen Miller Ann Schultz Jill Sigman Linda Simmer Stephanie Steel Mary Van Haren Laura Vits Heidi Wittwer |
Office
Patty Arndorfer Ann Balzer Judy Balzer JoAnne Beerntsen Clarence Black Marilyn Bloom Margaret Crechard Dave Cummings Leah Graff Cindy Hargraves Mark Hoffman Kim Klotzbuecher Jay Koritzinsky Sharon Kuchenbecker Jenny Luisier Sara Maurer Efrem Muchin Barb Oerum Jill Sigman Mike Sigman Bonnie Stechmesser Stephanie Steel Marcia Wallace Heidi Wittwer Ushers Cindy Ames JoAnne Beerntsen Cindy Boeckman Rae Bonner Charlene Cain Tracy Goetz Stacy Graff Sue Hoge Sally Johnson Sue Kraska Barb Oerum Karen O'Leary Lori Reed Heidi Wittwer |
Patron Committee
Sue Anderson Patty Arndorfer Mark Aumann Ann Balzer Judy Balzer Clarence Black Marilyn Bloom Holly Bruns Lori Bugenhagen Laurie Calkins Ann Coleman Margaret Crechard Leah Graff Cindy Hargraves Steve Hoge Kim Klotzbuecher Jeff Kuchenbecker Sharon Kuchenbecker Janet Loritz Lindy Luisier Sara Maurer Jean Nelson Barb Oerum Jane Sieker Jill Sigman Bonnie Stechmesser Stephanie Steel Marcia Wallace Publicity Eric Sverson Bob Snowden Photography Mark Anderson Kurt Jaehnig Programs Marilyn Bloom Jana Richberg |
Company Leadership
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The Executive Committee of the Board of Directors
Producer/Chairman of the Board: Fred Sharpe Business Manager: Wendy Arnold President: Brian Arndorfer Secretary/Treasurer: Marilyn Bloom Public Relations: Jim Willett Directing Staff General Directors: Emily Mueller and Eric Severson Choral Director: Jim Panosh Assistant: Lois Schmidt Orchestra Director: Candyce Ruppelt Assistant: Chris Hansen Choreographers: Elizabeth Childs and Cindi Seidl Technical Director: Tom Skatrud Assistant: Ron Breitwisch |
Production Council
Stage Manager: Rory McBeath Backstage Manager: Matilyn Bloom House Manager: Tom Berkedal Lighting: Bruce Humphrey Set Construction: Mark Rugowski Painting: Dave Cummings Billboard: Bob Snowden Props: Mark Aumann, Jenny Luisier, and Meredith Waak Costumes: Linda Krause, Gina Ospedale, and Jane Sieker Office: Mark Aumann Publicity: Ginny Keith Programs: Sally Johnson and Jenny Luisier Head Usher: Sue Denk Makeup: Mary Kaufmann Patron Committee: Jan Hoffman |
Program Notes
Producer's Note from the program
Tonight, you will be traveling. Leave your cares behind and join us on a trip to Scotland and the village of "Brigadoon". I'm sure you'll enjoy yourself.
Sit back and relax as Peter Quince creates a new world in front of you, using lights, sets, costumes and most of all - people. Someone you may have known well is now another person who lives there, on the other side of the lights, in "Brigadoon".
It has been my pleasure to have served as producer this summer. I have enjoyed being a part of this organization. The spirit of Peter quince is unlike anything i have ever witnessed. It is beautiful to see the accomplishments of these people - the cast, orchestra and crews of "Brigadoon". I am proud of every member.
Thanks are definitely in order tonight. First, to everyone involved with this show, thank you. This has been Peter Quince's finest season and it has been due to all of you. Then to everyone who has come to see the show, thank you. I hope you find the performance worthwhile and continue to support PQ in the future.
Finally, as one of my last official acts, I would like to dedicate this show, on behalf of the entire company, to the person who made it all possible with his dreams - Reed Humphrey.
Thank you,
Fred Sharpe
Producer
Director's Note from the program
"I think the real loneliness is not bein' in love in vain, but not bein' in love at all." - Fiona
A longing for purpose and meaning in life never leaves us--that often wistful dream of something that is somehow better. Each of us clings to a hope of creating that dream, searching for beauty, for peace, for happiness. for a Brigadoon. Yet today that quest has become so frantic and so sophisticated that we seem somewhere to have lost the one most important thing of all--that rare ability to really love, and be open and sensitive to a world that needs loving so badly.
Whether Brigadoon is actually a village in Scotland, or merely a state of mind, is up to you to decide. The vision of a far-off, mist-covered Brigadoon may be a delicate but fleeting illusion; the perception of a Brigadoon here and now can be a real and living way of seeing the world. For a deep love of this world and all its people may suddenly find you at your own opening in the mist, with a whole new view of the world stretching out beyond. . .at a bridge in your mind, awaiting only your decision to cross.
Em and Eric
Tonight, you will be traveling. Leave your cares behind and join us on a trip to Scotland and the village of "Brigadoon". I'm sure you'll enjoy yourself.
Sit back and relax as Peter Quince creates a new world in front of you, using lights, sets, costumes and most of all - people. Someone you may have known well is now another person who lives there, on the other side of the lights, in "Brigadoon".
It has been my pleasure to have served as producer this summer. I have enjoyed being a part of this organization. The spirit of Peter quince is unlike anything i have ever witnessed. It is beautiful to see the accomplishments of these people - the cast, orchestra and crews of "Brigadoon". I am proud of every member.
Thanks are definitely in order tonight. First, to everyone involved with this show, thank you. This has been Peter Quince's finest season and it has been due to all of you. Then to everyone who has come to see the show, thank you. I hope you find the performance worthwhile and continue to support PQ in the future.
Finally, as one of my last official acts, I would like to dedicate this show, on behalf of the entire company, to the person who made it all possible with his dreams - Reed Humphrey.
Thank you,
Fred Sharpe
Producer
Director's Note from the program
"I think the real loneliness is not bein' in love in vain, but not bein' in love at all." - Fiona
A longing for purpose and meaning in life never leaves us--that often wistful dream of something that is somehow better. Each of us clings to a hope of creating that dream, searching for beauty, for peace, for happiness. for a Brigadoon. Yet today that quest has become so frantic and so sophisticated that we seem somewhere to have lost the one most important thing of all--that rare ability to really love, and be open and sensitive to a world that needs loving so badly.
Whether Brigadoon is actually a village in Scotland, or merely a state of mind, is up to you to decide. The vision of a far-off, mist-covered Brigadoon may be a delicate but fleeting illusion; the perception of a Brigadoon here and now can be a real and living way of seeing the world. For a deep love of this world and all its people may suddenly find you at your own opening in the mist, with a whole new view of the world stretching out beyond. . .at a bridge in your mind, awaiting only your decision to cross.
Em and Eric