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Cast
Principals Jimmy Smith: John Grosshuesch Sue Smith: Lyn Ahlswede Nanette: Mary Jo Bachnik Billy Early: David Cummings Lucille Early: Elizabeth Childs Tom: Mark G. Weller Pauline: Sherry Larson Betty Brown: Barbara Coons Winnie Winslow: Lori Waack Flora Latham: Gail Mahnke Chorus Cheryl Swift Terri Temme Peggy Foerg Laurie Ihde Peter Davis Chris Jaehnig Jim Buth Jim Hansen Mark Graupman Lorie Buchholz Kay Steckmesser Julie Gerndt Gail Brefczynski Jane Ruthmansdorfer Randy Siebert Brian Jorgensen Ric Johnson Dave Snowden |
Pit
Director: Jay Koritzinsky Rehearsal Pianist: Laura Vits String Bass: Janilee Nelson Piano: Tim Pagel Bass: Mike Sigman Guitar: Neil Koch Percussion: Barb Carey Violin: John Hansen Violin: Joan Markwart Violin: Cindy Poulos Violin: Carrie Poulos Violin: Ned Paschke Clarinet: Brad Ihlenfeld French Horn: Sue Bursek Trumpet: Debbie Wessely Oboe/English Horn: Heidi Arnold Horn: Paul Schroeder Trombone: Pete Pankratz Trumpet: Mike Anhalt Trumpet: Dave Plumb Bass Clarinet: Ann Flaherty Clarinet: Greg Anderson Flute: Lynn Lovelien Flute: Roz Kueter Saxophone: Eric Torkelson Saxophone: Steve Weinert Bassoon: Debbie Rusch Trombone: Paul Schmaltz Percussion: Rick Jebavy Violin: Lori Ahlswede Cello: Ed Willet Cello: Ann Kohlbeck |
Crews
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Construction
Mark Aumann Sue Abramovich Jim Barnes Eric Bush Ann Davis Tracey Geimer Laura Hanson Martin Jacobi Steve Jacobi Mike LeClair Kevin LaCosse Randy Leifer Debbie Martinez Brian Mast Katy Myre Mindy Nelson Chris Neuser Beth Nikolai Shawn Reilly Jana Richberg Bob Buppelt Gail Russell Tara Russell Howie Sigman Sue Taak Dave Wage Stage Crew Eric Bush Terri Henderson Mary Hyland Chris Krause Kevin LaCosse Brian Mast Shawn Reilly Bob Ruppely Linda Weber |
Make-up
Kelly Anhalt Anne Bouffard Bob Brasser Gail Brefczynski Anne Davis Ann Demsien Maria Duby Tracey Geimer Beth Nikolai Nancy Reichert Debbie Rusch Gail Russell Barb Sabin Shelli Vetter Robin Walters Karen Westberg Programs Mark Aumann Peggy Foerg Chris Krause Joan Krueger Molly Larson Maty Myre Jana Richberg Jill Sigman Mike Sigman Lighting Martin Jacobi Dave Wage Graphic Arts Duffy Primm Jill Sigman Shelly Vetter |
Painting
Dodi Dalton Ann Davis Tracey Geimer Ann Graff Laura Hanson Katy Myre Mindy Nelson Sheila Rasmussen Gail Russel Tara Russel Michele Vetter Phyllis Walter Karen Westberg Ushers Carie Bronson Ann Graff Meg Hamann Ida Hansen Erin Hayes Patty Keehan Marcia Larsen Penny Miller Mindy Nelson Sue Nichols Sheila Resmuson Mary Jo Riebe Sue Rohrer Amy Skarda Karen Stark Fran Timberlake Follow Spots Jim Bjorklund Nancy Reichert |
Properties
Tracey Geimer Laura Hanson Theresa Krueger Marcia Lamers Ann Leschke Jana Richberg Gail Russel Tara Russel Office Staff Lars Aleckson Peggy Foerg Ann Greff Mary Hyland Patty Keehan Chris Krause Katy Myre Sue Nichols Sheila Rasmussen Howie Sigman Michele Vetter Linda Weber Costumes Cindy Bonk Diana Carey Marilyn Derris Jodene Hrudka Laurie Ihde Terry Johnsen Jill Sigman Michele Vetter Sound Kurt Jaenig Steve Jacobi |
Company Leadership
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The Board of Directors
Producer/Chairman of the Board: Kurt Jaehnig Assistant: Mark Anderson President: Mark Anderson Vice-President/Business Manager: Mark Graupman Secretary/Treasurer: Joan Krueger Public Relations: David Kollath Directing Staff General Director: David Coons Choral Director: Tracey Skeels Orchestra Director: Jay Koritzinsky Choreographer: Mary Ellen Childs Technical Director: Daniel Hornung |
Production Council
Stage Manager: John Dramm Assistant Stage Manager: Mark Aumann Office Managers: Mark Graupman and Karen Stuckmann Painting Chair: Jana Richberg Graphic Arts Chair: Bob Snowden Construction: Dan Hornung Assistant: John Dramm Costumes: Laura Vits Lighting: Chris Neuser Make-up Chair: Joan Krueger and Lynn Rosinsky Programs: Ann Coleman and Linda Weber Photography: John Leslie Properties Chair: Mark Aumann Assistant: Mindy Nelson Head Usher: Anne Bouffard |
Musical Numbers
Overture...................................................................................................................................................................Orchestra
"Too Many Rings Around Rosie"................................................................................................Lucille and Boys
"I've Confessed to the Breeze".................................................................................................Tom and Nanette
"Call of the Sea"........................................................................................................................................Billy and Girls
"I Want to be Happy".......................................................Nanette and Jimmy, Sue, Boys and Girls
"No, No, Nanette"...........................................................................................................................Nanette and Boys
"Finaletto Act One"................................................................................................Tom, Nanette, and Chorus
"Peach on the Beach".......................................................................................................Nanette and Chorus
"The Three Happies"..................................................................................................Flora, Betty, and Winnie
"Tea for Two"...............................................................................................................Tom, Nanette, and Chorus
"You Can Dance With Any Girl"............................................................................................Lucille and Billy
"Finaletto Act Two"..............................................................................................................................Entire Company
"Telephone Girlie"..........................................................................................Billy, Flora, Betty, and Winnie
"Where Has My Hubbie Gone Blues".......................................................................................Lucille and Boys
"Waiting for You"..........................................................................................................................Tom and Nanette
"Take a Little One-Step"...............................................................................................................Sue and Company
"Finale"....................................................................................................................................................Entire Company
"Too Many Rings Around Rosie"................................................................................................Lucille and Boys
"I've Confessed to the Breeze".................................................................................................Tom and Nanette
"Call of the Sea"........................................................................................................................................Billy and Girls
"I Want to be Happy".......................................................Nanette and Jimmy, Sue, Boys and Girls
"No, No, Nanette"...........................................................................................................................Nanette and Boys
"Finaletto Act One"................................................................................................Tom, Nanette, and Chorus
"Peach on the Beach".......................................................................................................Nanette and Chorus
"The Three Happies"..................................................................................................Flora, Betty, and Winnie
"Tea for Two"...............................................................................................................Tom, Nanette, and Chorus
"You Can Dance With Any Girl"............................................................................................Lucille and Billy
"Finaletto Act Two"..............................................................................................................................Entire Company
"Telephone Girlie"..........................................................................................Billy, Flora, Betty, and Winnie
"Where Has My Hubbie Gone Blues".......................................................................................Lucille and Boys
"Waiting for You"..........................................................................................................................Tom and Nanette
"Take a Little One-Step"...............................................................................................................Sue and Company
"Finale"....................................................................................................................................................Entire Company
Program Notes
Producer's Note from the program
Good Evening,
As the curtain opens tonight, mat I present to you a show which is a polished glimmer of the total efforts of our company.
Time is an intangible quality of life. It is even more elusive in theatre. For all the efforts that are put into a production, the results are only fleeting moments of human performance and emotion. The instantaneous delivery of a line, the crescendo of the orchestra, a dancer's vault, or a light change on the cyclorama, these sensory experiences are but for a moment. What lingers on is your mind's image, a tingle of your emotions, an impression which will always remain.
What is the motivation for theatre? Perhaps it is the silent effort of everyone involved; from the first time a script was opened, that first yard of muslin tacked to a lumber framework, to the last dab of greasepaint, and the ultimate closing of the curtain; all these efforts attempt to present to you, our audience, a mural of a summer in the dimensions of a thumbnail sketch.
Tonight, put on the hat of a seasoned Sherlock Holmes, and see if you can't discover in NO NO NANETTE the clues to a story of theatre, young people, and a company called Peter Quince; it's a fantastic experience!
Thank you for helping blend the colours from which a theatrical portrait of gratitude and cooperation will be painted.
Kurt P. Jaehnig
Producer/Chairman of the Board
Director's Note from the program
There are many facets to this business of theatre, but perhaps the two most important are the growth and sharing. The playwright shares ideas and feelings with the director and actor, the director and actor share with each other,the actors share with the audience. Through this process the play grows from words and musical notes on paper to a living, dynamic being. After the last light has been hung and the last line learned, if the play and cast have not grown together, the show is not ready.
The cast and crew of our production have worked hard and sacrificed much over the past weeks to make NO NO NANETTE as fine a show as possible. I am proud and pleased to have been a part of this growth. Not unlike Jimmy Smith of this evening's performance, out goal has been, in part, to spread sunshine. You are here tonight. If we can share something of ourselves with you, the cycle is complete. We want to be happy!
David Coons
General Director
Good Evening,
As the curtain opens tonight, mat I present to you a show which is a polished glimmer of the total efforts of our company.
Time is an intangible quality of life. It is even more elusive in theatre. For all the efforts that are put into a production, the results are only fleeting moments of human performance and emotion. The instantaneous delivery of a line, the crescendo of the orchestra, a dancer's vault, or a light change on the cyclorama, these sensory experiences are but for a moment. What lingers on is your mind's image, a tingle of your emotions, an impression which will always remain.
What is the motivation for theatre? Perhaps it is the silent effort of everyone involved; from the first time a script was opened, that first yard of muslin tacked to a lumber framework, to the last dab of greasepaint, and the ultimate closing of the curtain; all these efforts attempt to present to you, our audience, a mural of a summer in the dimensions of a thumbnail sketch.
Tonight, put on the hat of a seasoned Sherlock Holmes, and see if you can't discover in NO NO NANETTE the clues to a story of theatre, young people, and a company called Peter Quince; it's a fantastic experience!
Thank you for helping blend the colours from which a theatrical portrait of gratitude and cooperation will be painted.
Kurt P. Jaehnig
Producer/Chairman of the Board
Director's Note from the program
There are many facets to this business of theatre, but perhaps the two most important are the growth and sharing. The playwright shares ideas and feelings with the director and actor, the director and actor share with each other,the actors share with the audience. Through this process the play grows from words and musical notes on paper to a living, dynamic being. After the last light has been hung and the last line learned, if the play and cast have not grown together, the show is not ready.
The cast and crew of our production have worked hard and sacrificed much over the past weeks to make NO NO NANETTE as fine a show as possible. I am proud and pleased to have been a part of this growth. Not unlike Jimmy Smith of this evening's performance, out goal has been, in part, to spread sunshine. You are here tonight. If we can share something of ourselves with you, the cycle is complete. We want to be happy!
David Coons
General Director