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Cast
Principals Reno Sweeny: Barb Baldwin Billy Crocker: Jim Hansen Moonface Martin: David Snowden Hope Harcourt: Kathy Novack Bonnie: Terri Temme Sir Evelyn: Eric Bush Mrs. Harcourt: Heidi Arnold Whitney: Dave Pagel Bishop: Dave Maurer Purser: Rick Baldwin Captain: Dean Schultz Ching: Scott Singer Ling: Howard Sigman Purity: Anne Demsien Charity: Kay Steckmesser Virtue: Sheila Rasmussen Chastity: Jill Park Steward: James Schuette Sailors and Passengers: Rick Baldwin, Mary Basten, Sue Bursek, Kristy Geimer, Cindy Gerndt, Amy Gigure, Matt Hickel, Drew Keith, Becky Kuchenbecker, Brian Mast, Dave Maurer, Bruce Schlei, James Schuette, Erik Torkelson, Sherri Waid |
Pit
Director: Jim Bjorklund Rehearsal Pianist/Piano: Deanna VanDreel Violin: Joan Markwardt Violin: Cindy Paulos Violin: Laura Maher Violin: Mindy Nelson Cello: Ann Caviani Violin: Kim Kubsch Flute: Kathy Kollath Trumpets: Keith Barneson Clarinet: Tracy Geimer Flute: Lynn Lovelien Saxophone: Julie Erdmann Bass: David Wernecke Trumpets: Mike Huebner Saxophone: Dennis Larsen Viola: Kathy Smith Piano: Marilyn Larsen Percussion: David Rusch Trombone: John Caviani Saxophone: Brian Portzen Tenor Banjo: Pat Sheridan Trumpet: Gary VanDreel Saxophone: Ann Bertler Percussion: Rod Schultz |
Crews
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Ushers
Sara Baader Kathy Basten Heidi Baumann Maria Duby Gigi Gospodarek Mary Helgerson Kai Kortens Abby Maala Cocoa Meany Janet Owaski Heidi Parworth Jane Primm Mary Jo Riebe Marguerite Spacek Sara Tirner Jodi Wetenkamp Mary Wolff Programs Jon Cisler Cindy Eichhorst Laura Eichhorst Joan Flaherty Kristy Geimer Tracy Geimer Tammy Glaeser Becky Golding Ann Graff Mary Held Stacy Held Sherin Mrozinski Sue Weina Diane Weina Jill Walecka Publicity Sara Baader Karen Caviani Jon Cisler Annie Graff Becky Golding Sue Holmes Abby Maala Karen Neuser Sheila Rasmuson Sara Tirner |
Paint Crew
Lars Aleckson Lisa Bushman Dathy Buxbaum Annie Graff Mary Graff Mary Held Mary Imhoff Wendy Imhoff Chris Keely Kari Kortens Ann Lindholm Noelle Londo Bill Manis Pat Massey Lynette Mazanec Sherin Mrozinski Erin Russell Gail Russell Patty Tirner Jill Walecka Theresa Krueger Mary Wolff Costumes Heidi Blank Cindy Eichhorst Holly Larson Ramona Maala Heidi Parworth Erin Russel Karen Schmatz Make-up Sara Baader Heidi Baumann Ann Caviani Karen Caivani Cindy Eichhorst Laura Eichhorst Becky Golding Mary Helgerson Ann Lindholm Pay Massey Judi Owaski Heidi Parworth Erin Russell |
Stage Crew
Lars Aleckson Cindy Black Kevin Black Lisa Bushman Kathy Buxbaum Annie Graff John Graff Mary Graff Mary Held Stacy Held Mary Imhoff Marty Jacobi Wendy Imhoff Chris Keely Kari Kortens Theresa Krueger Ann Lindholm Noelle Londo Bill Manis Pat Massey Bob Mazanec Lynette Mazanec Sherin Mrozinski Erin Russel Gail Russel Howard Sigman Jim Vachon Jill Walecka Mary Wolff Props Becky Golding Kris Keely Noelle Londo Karen Neuser Pat Massey Cathy Pollack Joan Purchatzke Mary Jo Riebe Erin Russell Gail Gussell Gary VanDreel Jill Walecka |
Alumni Relations
Kathy Buxbaum Pat Massey Jill Walecka Construction Lars Aleckson Lisa Bushman Kathy Buxbaum John Graff Mary Graff Mary Held Mary Imhoff Steve Jacobi Chris Keely Kari Kortens Theresa Krueger Ann Lindhold Noelle Londo Bill Manis Pat Massey Lynette Mazanec Rob Mazanec Sherin Mrozinski Erin Russell Gail Russell Howard Sigman Patty Tirner Jim Vachon Jill Walecka Steve Wienert Mary Wolff Office Heidi Baumann Laura Coons Ann Flaherty Karen Leifer Abby Maala Pat Massey Heidi Parworth Mary Jo Riebe Jill Walecka Photography Dennis Larsen Brian Portzen |
Company Leadership
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The Executive Committee of the Board of Directors
Producer/Chairman of the Board: Julie Gerndt Assistant: Dave Pagel President: Dave Pagel Vice-President/Business Manager: Michelle Vetter Secretary/Treasurer: Mindy Nelson Assistant: Holly Larson Public Relations: Ann Bouffard Directing Staff General Directors: Mary Ellen Childs and Bob Brasser Choral Director: Brian Jorgensen Orchestra Director: James Bjorklund Choreographer: Tara Russell Technical Director: Chris Jaehnig |
Production Council
Stage Manager: Mike LaLeike House Manager: Bill Manis Office Manager: Jean Flaherty Graphic Arts: Jon Cisler Painting: Jon Cisler Makeup: Gail Russell Props: Kathy Buxbaum and Ann Graff Prompter: Heidi Baumann Costumes: Sara Tirner and Sue Weina Programs: Jim Drobka Alumni Chair: Dan Hornung Photography: Tom Basten, Dave Heili, and Jim Vachon |
Musical Numbers
"You're The Top".....................................................................................Reno and Billy
"Bon Voyage".....................................................................................Ensemble
"It's Delovely".....................................................................................Hope and Billy
"Heaven Hop".....................................................................................Bonnie and Girls
"Friendship".................................................Rilly, Reno and Moonface
"I Get A Kick Out Of You".....................................................................................Reno
"Anything Goes".................................................Reno, Angels and Passengers
"Public Enemy Number One".................................................Passengers
"Let's Step Out".................................................Bonnie and Passengers
"Let's Misbehave".....................................................................................Reno and Evelyn
"Blow, Gabriel, Blow".................................................Reno and Ensemble
"All Through The Night"...................................................................Hope and Billy
"Be Like The Bluebird"....................................................................................Moonface
"All Through The Night" Reprise.....................................................Hope and Billy
"Take Me Back To Manhattan".................................................Reno and Angels
Finale....................................................................................................................Ensemble
"Bon Voyage".....................................................................................Ensemble
"It's Delovely".....................................................................................Hope and Billy
"Heaven Hop".....................................................................................Bonnie and Girls
"Friendship".................................................Rilly, Reno and Moonface
"I Get A Kick Out Of You".....................................................................................Reno
"Anything Goes".................................................Reno, Angels and Passengers
"Public Enemy Number One".................................................Passengers
"Let's Step Out".................................................Bonnie and Passengers
"Let's Misbehave".....................................................................................Reno and Evelyn
"Blow, Gabriel, Blow".................................................Reno and Ensemble
"All Through The Night"...................................................................Hope and Billy
"Be Like The Bluebird"....................................................................................Moonface
"All Through The Night" Reprise.....................................................Hope and Billy
"Take Me Back To Manhattan".................................................Reno and Angels
Finale....................................................................................................................Ensemble
Program Notes
Producer's Note from the program
Good Evening!
With your presence this evening, and our performance of "ANYTHING GOES", the Peter Quince Performing Co., Ltd marks its tenth year. We have come far since 1969; each year the company has grown in quality as well as quantity.
It is difficult to explain this company we call Quince. One could speak of long, hot and tiresome hours of rehearsals, or of racing to meet printing and advertising deadlines, or praying for more ticket sales and budgeting money not yet in the bank. But perhaps it is more enlightening to tell of tears of laughter, agreements and arguments, beads of perspiration, of our enthusiasm, frustrations and joy.
The spirit of Quince, however, is more than just that. It is not simply the motivation to produce a show. Peter Quince has brought each one of us a maturity, confidence, and closeness in a most unique way. A tremendous amount of cooperation and love of the company and its members is prerequisite to the success of such an organization. But the true key to the success and continued life of Peter Quince is that it brings that growth and maturity to each one of us individually as well as to the company as a whole. We have learned to work together and care for one another in the Quince way. This is the spirit which has produced our musical theatre for ten years.
It is with that same Peter Quince spirit that I welcome you to tonight's performance of "Anything Goes". During the performance, it is my hope that you may catch a glimpse of that spirit. For it is only in this way that we are able to express our gratitude for your participation as an audience. Thank you for sharing with us our tenth anniversary season.
Enjoy the show!
Julie S. Gerndt
Producer/Chairman of the Board
Director's Note from the program
You've heard the old saying--"two heads are better than one". Well, we think so. This summer we decided to do something a little out of the ordinary. The two of us have put our heads together to prove that old axiom by co-directing Quince's tenth anniversary show.
Working as equals provides for a variety of advantages. For one, the fact that there are two sets of eyes watching and critiquing each scene, brings to the show two perspectives and consequently twice the advantages.
In addition, each of us comes to the job with experiences that are both diverse and complementary. By combining our strengths we reach a level of expertise we could not reach individually.
On the other hand compromise does not always come easily. We've certainly had our share of "I don't agree", and "We'll talk about it later". And as any cast member can tell you conflicting ideas can cause confusing moments. "But, Bob told me..." and "But Mary Ellen just said..." were heard more often than once this summer.
We thank the cast, crews, and other staff members for their patience, cooperation, and diligent work. It has been a very rewarding summer for us.
This show, like this letter, is a little bit Bob, a little bit Mary Ellen. We think it has paid off.
Mary Ellen Childs and Bob Brasser
General Directors
Good Evening!
With your presence this evening, and our performance of "ANYTHING GOES", the Peter Quince Performing Co., Ltd marks its tenth year. We have come far since 1969; each year the company has grown in quality as well as quantity.
It is difficult to explain this company we call Quince. One could speak of long, hot and tiresome hours of rehearsals, or of racing to meet printing and advertising deadlines, or praying for more ticket sales and budgeting money not yet in the bank. But perhaps it is more enlightening to tell of tears of laughter, agreements and arguments, beads of perspiration, of our enthusiasm, frustrations and joy.
The spirit of Quince, however, is more than just that. It is not simply the motivation to produce a show. Peter Quince has brought each one of us a maturity, confidence, and closeness in a most unique way. A tremendous amount of cooperation and love of the company and its members is prerequisite to the success of such an organization. But the true key to the success and continued life of Peter Quince is that it brings that growth and maturity to each one of us individually as well as to the company as a whole. We have learned to work together and care for one another in the Quince way. This is the spirit which has produced our musical theatre for ten years.
It is with that same Peter Quince spirit that I welcome you to tonight's performance of "Anything Goes". During the performance, it is my hope that you may catch a glimpse of that spirit. For it is only in this way that we are able to express our gratitude for your participation as an audience. Thank you for sharing with us our tenth anniversary season.
Enjoy the show!
Julie S. Gerndt
Producer/Chairman of the Board
Director's Note from the program
You've heard the old saying--"two heads are better than one". Well, we think so. This summer we decided to do something a little out of the ordinary. The two of us have put our heads together to prove that old axiom by co-directing Quince's tenth anniversary show.
Working as equals provides for a variety of advantages. For one, the fact that there are two sets of eyes watching and critiquing each scene, brings to the show two perspectives and consequently twice the advantages.
In addition, each of us comes to the job with experiences that are both diverse and complementary. By combining our strengths we reach a level of expertise we could not reach individually.
On the other hand compromise does not always come easily. We've certainly had our share of "I don't agree", and "We'll talk about it later". And as any cast member can tell you conflicting ideas can cause confusing moments. "But, Bob told me..." and "But Mary Ellen just said..." were heard more often than once this summer.
We thank the cast, crews, and other staff members for their patience, cooperation, and diligent work. It has been a very rewarding summer for us.
This show, like this letter, is a little bit Bob, a little bit Mary Ellen. We think it has paid off.
Mary Ellen Childs and Bob Brasser
General Directors