PETER QUINCE PERFORMING COMPANY, LTD.
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Photos
Cast

​Principals
Reno Sweeny: Barb Baldwin
Billy Crocker: Jim Hansen
Moonface Martin: David Snowden
Hope Harcourt: Kathy Novack
Bonnie: Terri Temme
Sir Evelyn: Eric Bush
Mrs. Harcourt: Heidi Arnold
Whitney: Dave Pagel
Bishop: Dave Maurer
Purser: Rick Baldwin
Captain: Dean Schultz
Ching: Scott Singer
Ling: Howard Sigman
Purity: Anne Demsien
Charity: Kay Steckmesser
Virtue: Sheila Rasmussen
Chastity: Jill Park
Steward: James Schuette

Sailors and Passengers:
Rick Baldwin, Mary Basten, Sue Bursek, Kristy Geimer, Cindy Gerndt, Amy Gigure, Matt Hickel, Drew Keith, Becky Kuchenbecker, Brian Mast, Dave Maurer, Bruce Schlei, James Schuette, Erik Torkelson, Sherri Waid
Pit

Director: Jim Bjorklund
Rehearsal Pianist/Piano: Deanna VanDreel
Violin: Joan Markwardt
Violin: Cindy Paulos
Violin: Laura Maher
Violin: Mindy Nelson
Cello: Ann Caviani
Violin: Kim Kubsch
Flute: Kathy Kollath
Trumpets: Keith Barneson
Clarinet: Tracy Geimer
Flute: Lynn Lovelien
Saxophone: Julie Erdmann
Bass: David Wernecke
Trumpets: Mike Huebner
Saxophone: Dennis Larsen
Viola: Kathy Smith
Piano: Marilyn Larsen
Percussion: David Rusch
Trombone: John Caviani
Saxophone: Brian Portzen
Tenor Banjo: Pat Sheridan
Trumpet: Gary VanDreel
Saxophone: Ann Bertler
Percussion​: Rod Schultz
Crews
Ushers
Sara Baader
Kathy Basten
Heidi Baumann
Maria Duby
Gigi Gospodarek
Mary Helgerson
Kai Kortens
Abby Maala
Cocoa Meany
Janet Owaski
Heidi Parworth
Jane Primm
Mary Jo Riebe
Marguerite Spacek
Sara Tirner
Jodi Wetenkamp
Mary Wolff

Programs
Jon Cisler
Cindy Eichhorst
Laura Eichhorst
Joan Flaherty
Kristy Geimer
Tracy Geimer
Tammy Glaeser
Becky Golding
Ann Graff
Mary Held
Stacy Held
Sherin Mrozinski
Sue Weina
Diane Weina
Jill Walecka
​

Publicity
Sara Baader
Karen Caviani
Jon Cisler
Annie Graff
Becky Golding
Sue Holmes
Abby Maala
Karen Neuser
Sheila Rasmuson
Sara Tirner
Paint Crew
​
Lars Aleckson
Lisa Bushman
Dathy Buxbaum
Annie Graff
Mary Graff
Mary Held
Mary Imhoff
Wendy Imhoff
Chris Keely
Kari Kortens
Ann Lindholm
Noelle Londo
Bill Manis
Pat Massey
Lynette Mazanec
Sherin Mrozinski
Erin Russell
Gail Russell
Patty Tirner
Jill Walecka
Theresa Krueger
Mary Wolff

Costumes
Heidi Blank
Cindy Eichhorst
Holly Larson
Ramona Maala
Heidi Parworth
Erin Russel
Karen Schmatz
​

​Make-up
Sara Baader
Heidi Baumann
Ann Caviani
Karen Caivani
Cindy Eichhorst
Laura Eichhorst
Becky Golding
Mary Helgerson
Ann Lindholm
Pay Massey
Judi Owaski
Heidi Parworth
Erin Russell
Stage Crew
Lars Aleckson
Cindy Black
Kevin Black
Lisa Bushman
Kathy Buxbaum
Annie Graff
John Graff
Mary Graff
Mary Held
Stacy Held
Mary Imhoff
Marty Jacobi
Wendy Imhoff
Chris Keely
Kari Kortens
Theresa Krueger
Ann Lindholm
Noelle Londo
Bill Manis
Pat Massey
Bob Mazanec
Lynette Mazanec
Sherin Mrozinski
Erin Russel
Gail Russel
Howard Sigman
Jim Vachon
Jill Walecka
Mary Wolff
​

Props
​
Becky Golding
Kris Keely
Noelle Londo
Karen Neuser
Pat Massey
Cathy Pollack
Joan Purchatzke
Mary Jo Riebe
Erin Russell
Gail Gussell
Gary VanDreel
Jill Walecka

Alumni Relations
Kathy Buxbaum
Pat Massey
Jill Walecka

Construction
Lars Aleckson
Lisa Bushman
Kathy Buxbaum
John Graff
Mary Graff
Mary Held
Mary Imhoff
Steve Jacobi
Chris Keely
Kari Kortens
Theresa Krueger
Ann Lindhold
Noelle Londo
Bill Manis
Pat Massey
Lynette Mazanec
Rob Mazanec
Sherin Mrozinski
Erin Russell
Gail Russell
Howard Sigman
Patty Tirner
Jim Vachon
Jill Walecka
Steve Wienert
Mary Wolff

Office
Heidi Baumann
Laura Coons
Ann Flaherty
Karen Leifer
Abby Maala
Pat Massey
Heidi Parworth
Mary Jo Riebe
Jill Walecka

Photography
Dennis Larsen
Brian Portzen

Company Leadership
The Executive Committee of the Board of Directors

Producer/Chairman of the Board: Julie Gerndt
          Assistant: Dave Pagel
President: Dave Pagel
Vice-President/Business Manager: Michelle Vetter
Secretary/Treasurer: Mindy Nelson
          Assistant: Holly Larson
Public Relations: Ann Bouffard 

Directing Staff

General Directors: Mary Ellen Childs and Bob Brasser
Choral Director: Brian Jorgensen
Orchestra Director: James Bjorklund
Choreographer: Tara Russell
Technical Director: Chris Jaehnig 
​Production Council

Stage Manager: Mike LaLeike
House Manager: Bill Manis
Office Manager: Jean Flaherty
Graphic Arts: Jon Cisler
Painting: Jon Cisler
Makeup: Gail Russell
Props: Kathy Buxbaum and Ann Graff
Prompter: Heidi Baumann
Costumes: Sara Tirner and Sue Weina
Programs: Jim Drobka
Alumni Chair: Dan Hornung
Photography: Tom Basten, Dave Heili, and Jim Vachon ​

Musical Numbers
"You're The Top".....................................................................................Reno and Billy
"Bon Voyage"
.....................................................................................Ensemble
"It's Delovely"
.....................................................................................Hope and Billy
"Heaven Hop"
.....................................................................................Bonnie and Girls
"Friendship"
.................................................Rilly, Reno and Moonface
"I Get A Kick Out Of You"
.....................................................................................Reno
"Anything Goes".................................................Reno, Angels and Passengers
"Public Enemy Number One"
.................................................Passengers
"Let's Step Out"
.................................................Bonnie and Passengers
"Let's Misbehave"
.....................................................................................Reno and Evelyn
"Blow, Gabriel, Blow"
.................................................Reno and Ensemble
"All Through The Night"
...................................................................Hope and Billy
"Be Like The Bluebird"
....................................................................................Moonface
"All Through The Night" Reprise
.....................................................Hope and Billy
"Take Me Back To Manhattan"
.................................................Reno and Angels
Finale
....................................................................................................................Ensemble

Program Notes
Producer's Note from the program

Good Evening! 

With your presence this evening, and our performance of "ANYTHING GOES", the Peter Quince Performing Co., Ltd marks its tenth year. We have come far since 1969; each year the company has grown in quality as well as quantity. 

It is difficult to explain this company we call Quince. One could speak of long, hot and tiresome hours of rehearsals, or of racing to meet printing and advertising deadlines, or praying for more ticket sales and budgeting money not yet in the bank. But perhaps it is more enlightening to tell of tears of laughter, agreements and arguments, beads of perspiration, of our enthusiasm, frustrations and joy. 

The spirit of Quince, however, is more than just that. It is not simply the motivation to produce a show. Peter Quince has brought each one of us a maturity, confidence, and closeness in a most unique way. A tremendous amount of cooperation and love of the company and its members is prerequisite to the success of such an organization. But the true key to the success and continued life of Peter Quince is that it brings that growth and maturity to each one of us individually as well as to the company as a whole. We have learned to work together and care for one another in the Quince way. This is the spirit which has produced our musical theatre for ten years. 

It is with that same Peter Quince spirit that I welcome you to tonight's performance of "Anything Goes". During the performance, it is my hope that you may catch a glimpse of that spirit. For it is only in this way that we are able to express our gratitude for your participation as an audience. Thank you for sharing with us our tenth anniversary season. 

Enjoy the show! 

Julie S. Gerndt
Producer/Chairman of the Board 


Director's Note from the program

You've heard the old saying--"two heads are better than one". Well, we think so. This summer we decided to do something a little out of the ordinary. The two of us have put our heads together to prove that old axiom by co-directing Quince's tenth anniversary show. 

Working as equals provides for a variety of advantages. For one, the fact that there are two sets of eyes watching and critiquing each scene, brings to the show two perspectives and consequently twice the advantages. 

In addition, each of us comes to the job with experiences that are both diverse and complementary. By combining our strengths we reach a level of expertise we could not reach individually. 

On the other hand compromise does not always come easily. We've certainly had our share of "I don't agree", and "We'll talk about it later". And as any cast member can tell you conflicting ideas can cause confusing moments. "But, Bob told me..." and "But Mary Ellen just said..." were heard more often than once this summer. 

We thank the cast, crews, and other staff members for their patience, cooperation, and diligent work. It has been a very rewarding summer for us. 

This show, like this letter, is a little bit Bob, a little bit Mary Ellen. We think it has paid off. 

Mary Ellen Childs and Bob Brasser
General Directors ​

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  • Home
  • About Us
    • About PQPC
    • Board Members
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    • Quince Traditions
  • FAQs
  • Past Shows
  • Past Members
    • In Memory
    • Past Member Memories
  • Bylaws
  • Contact Us