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Cast
Principals Albert Peterson: Bruce Schlei Rose Alverez: Mindy Nelson The Teenagers: Helen: Sheila Rasmuson Nancy: Amy Rusch Alice: Debbi Rusch Margie Ann: Amy Gigure Penelope Ann: Jill Park Deborah Sue: Doralee Barynbruch Suzie: Anne Demsien Karl: Howard Sigman Harvey: Scott Singer Harold: Mark Baader Henry: Drew Keith Arnold: Randy Dittman Freddie: Dave Rusch Peyton: Paul Erickson Ursula Merkle: Adrea Jaehnig Kim MacAfee: Deanna Van Dreel Mr. MacAfee: Brian Jorgenson Mrs. MacAfee: Sue Bursek Teen Trio: Anne Demsien, Jill Park, Sheila Rasmuson Sad Girl: Debbi Rusch Mae Peterson: Sherri Waid Reporters: Steve Buss, Terri Temme Conrad Birdie: Dave Maurer Guitarman: Lars Alecksen Conductor: Chris Garey Mayor: Tim Hickle Mayor's Wife: Elaine Allen Hugo Peabody: Greg Torkelson Randolph MacAfee: Peter Leschke Mrs. Merkle: Shelli Vetter Gloria Rasputin: Terri Temme Stage Manager: Chris Garey Barbershop Quartet: Scott Singer, Howard Sigman, Randy Dittmann, Steve Buss Charles F. Maude: Steve Buss Shriners: Chris Garey, Ben Pashke, Tim Gadzinski, Drew Keith, Tim Hickle Mrs. Stevens: Peggy Foerg Mr. Johnson: Ben Pashke Mrs. Johnson: Terri Temme Police Officers: Chris Garey, Ben Pashke Adult Chorus: Peggy Foerg, Terri Temme, Elaine Allen, Chris Garey, Tim Gadzinski, Lars Aleckson, Ben Pashke, Tim Hickle, Steve Buss |
Pit
Director: Tracey Geimer Violin: Cynthia Paulos Violin: Cathy Smith Violin: Judy Owaski Violin: Laura Maher Cello: Ann Caviani Flute: Susan Mott Flute: Sue Zager Bass/Electric Bass: J. Gravelle English Horn: Kristi Torkelson Clarinet: Dorothy Klein Clarinet: Lisa Kaufman Clarinet: Lori Rex Clarinet: Amy Svatek Alto Sax: Ann Bertler Alto Sax: Mike Chizek Tenor Sax: Greg Kasten Bari Sax: Steve Weinert Trumpet: Mike Huebner Trumpet: Jim Jung Trumpet: Robert Heili Horn: Wendy Bleake Trombone: Brian Mast Trombone: Bill Chizek Guitar: Jim Golding Percussion: David Rank Piano: Sarah Reynolds |
Crews
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Programs
Sara Baader Jon Cisler Cheryl Coleman Chris Keely Johanna Maala Ramona Maala Dave Maurer Jusy Owaski Guy Parworth Jayne Purchatzke Greg Rank James Schuette Mary Waldmann Diane Weina Cindy Gerndt Make-up Sara Baader Tammie Blank Laura Brennan Kristy Gigure Sarah Gigure Joann Karas Kari Kortens Pat Massey Judi Owaski Heidi Parworth Jayne Purchatzke Kelly Schamburek Mary Wolff Kristin Gerndt Photography Steve Buss Tim Gadzinski Tom Morgan |
Construction, Stage, and Paint Crews
Lars Aleckson Joe Best Brenda Burtard Kathy Buxbaum Tim Cowney Andy Dramm Fritz Dramm Sarah Gigure John Graff Stacey Held Wendy Imhoff Martin Jaboc Adrea Jarhnig Karrie Kariten Kent Kowitz Sandy Kubitcheck Lori LeClair Pat Massey Cave Maurer Bob Mazanec Lynette Mazanec Mike Mealy Connie Olson Sue Pelfier Andrea Rasmuson Jim Vachon Mary Waldman Mary Wolf Publicity John Cisler John Graff Howard Sigman |
Props
Laura Brennen Brenda Burtard Ann Clayton Laura Coons Matt Hallager Stacey Held Chris Keely Barb Kurth Lynette Mazanec Mary Lettenburger Office Staff Sara Baader Laura Brennan Laura Coons Andy Dramm Tim Gadzinski Sara Gigure Randy Harpt Laurie Hess Lisa Kaufman Barb Kurth Lori LeClair Abi Maala Pay Massey Guy Parworth Heidi Parworth Sue Peltier Cathy Pollack Cindy Poulos Andrea Rasmuson Kim Thelen Diane Weina |
Ushers
Sara Baader Kathy Basten Tammie Blnk Bridget Brennan Laura Brennan Cheryl Coleman Laura Coons Julie Emme Kristi Geimer Sarah Gigure Mary Graff Kari Kortens Jenny Lalitzk Abi Maala Cathy Pallock Heidi Parworth Sue Peltier Jayne Purchetzke Joan Purchetzke Andrea Rasmuson Sandy Van Dornick Jill Walecka Diane Weina Costumes Tammy Blank Nancy Johns Chris Keely Ramona Maala Judy Owaski Heidi Parworth Kay Voechting Diane Weina |
Company Leadership
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The Board of Directors
Producer/Chairman of the Board: William P. Manis Assistant: Brian Mast President: Brian Mast Vice-President/Business Manager: Cathy Smith Secretary/Treasurer: Cindy Gerndt Public Relations: Sherri Waid |
Directing Staff
General Directors: Julie S. Gerndt and Chris P. Jaehnig Choral Director: Erik Torkelson Orchestra Director: Tracey Geimer Choreographer: Lisa Kaner Assistant: Sandy Murzyn Technical Director: Dave Wage Production Council House Manager: Greg Rank Office Manager: Jill Walecka Makeup: Connie Olson Props: Kathy Buxbaum and Mary Waldmann Costumes: Sue Weina Programs: Kristy Geimer and Abi Maala |
Musical Numbers
"An English Teacher"............................................................................Rose & Albert
"The Telephone Hour"............................................................................Teen Chorus
"How Lovely to be a Woman"............................................................................Kim
"Put On a Happy Face"............................................................................Albert
"Normal American Boy"......................................Rose, Albert & Ensemble
"One Boy"............................................................................Kim, Alice, Margie, & Rosie
"Honestly Sincere"............................................................................Conrad & Ensemble
"Hymn for a Sunday Evening"......................................MacAfee's and Ensemble
"One Last Kiss".....................................Conrad, Albert, Barbershop Quartet & Ensemble
"What Did I Ever See In Him?".........................................................Rosie & Kim
"What Did I Ever See In Him?" Reprise.........................................................Rosie
"A Lot of Livin' To Do".........................................................Conrad, Kim & Teens
"Kids"............................................................................Mr. and Mrs. MacAfee
"Talk To Me".........................................................Albert & Barbershop Quartet
"Shriners' Ballet"............................................................................Rosie and Shriners
"Kids" reprise............................................................................Mr. and Mrs. MacAfee
"Ice House Livin"...............................................................................................Teens
"English Teacher" reprise............................................................................Rosie
"Spanish Rose"..................................................................................................................Rosie
"Rosie"..................................................................................................................Albert & Rosie
Finale..................................................................................................................Ensemble
"The Telephone Hour"............................................................................Teen Chorus
"How Lovely to be a Woman"............................................................................Kim
"Put On a Happy Face"............................................................................Albert
"Normal American Boy"......................................Rose, Albert & Ensemble
"One Boy"............................................................................Kim, Alice, Margie, & Rosie
"Honestly Sincere"............................................................................Conrad & Ensemble
"Hymn for a Sunday Evening"......................................MacAfee's and Ensemble
"One Last Kiss".....................................Conrad, Albert, Barbershop Quartet & Ensemble
"What Did I Ever See In Him?".........................................................Rosie & Kim
"What Did I Ever See In Him?" Reprise.........................................................Rosie
"A Lot of Livin' To Do".........................................................Conrad, Kim & Teens
"Kids"............................................................................Mr. and Mrs. MacAfee
"Talk To Me".........................................................Albert & Barbershop Quartet
"Shriners' Ballet"............................................................................Rosie and Shriners
"Kids" reprise............................................................................Mr. and Mrs. MacAfee
"Ice House Livin"...............................................................................................Teens
"English Teacher" reprise............................................................................Rosie
"Spanish Rose"..................................................................................................................Rosie
"Rosie"..................................................................................................................Albert & Rosie
Finale..................................................................................................................Ensemble
Program Notes
Producer's Note from the program
Good evening,
Peter Quince is a group of young adults between the ages of 12 and 21 who start out with an idea and build it into a musical, piece by piece. Theatre has many different roles. It is put together by not only the actors, but by the many people behind the scenes. Peter Quince is always looking for young people interested in any aspect of the theatre from acting to theatre associated fields.
Peter Quince is a non-profit organization which survives by community involvement. It is people like you that make it possible for us to put on a production, such as this one. I would personally like to say thank you, one and all, for your support.
So sit back, relax, and enjoy theatre at its best.
William P. Manis, II
Producer
Director's Note from the program
Dear friends,
Whenever a director attempts to write one of these letters, hundreds of thoughts fly through his or her head, each of them impossible to pin down on a sheet of paper. There are recollections of the difficult decisions, the excitement of rehearsals, the laughter and the tears.
But this year, as I stop to consider the life of Peter Quince, I feel a little different. As this year's show goes up, I must say farewell to Quince.
While I take my leave of the company and join the ranks of those who are too old for Quince, let me assure you that only a small fraction of what a Quincer learns is visible on the stage. We have learned to communicate and work with one another, to lead and at times to follow. We have learned to live successfully with one another.
I urge your continued support of this company and thank you for your help and understanding in years past. Without it, the company would cease to exist.
I also welcome you to our show. We have had a summer that will stay with us all our lives. So now, the final performances are for you.
Julie S. Gerndt
Co-General Director
Well, this certainly has been a summer to remember. Between the long hours, sweat, and hard work there have been many enjoyable "Moments of Madness", and as Rosie puts it, "Between the Moments of Madness and the office I've put in a good ninety hour week". But this is expected when you work with a company as valuable as Peter Quince.
Julie and I found that together, we could direct a show that will be as enjoyable and beneficial to you, the audience, as it was to the cast and crews, and ourselves.
Chris P. Jaehnig
Co-General Director
Good evening,
Peter Quince is a group of young adults between the ages of 12 and 21 who start out with an idea and build it into a musical, piece by piece. Theatre has many different roles. It is put together by not only the actors, but by the many people behind the scenes. Peter Quince is always looking for young people interested in any aspect of the theatre from acting to theatre associated fields.
Peter Quince is a non-profit organization which survives by community involvement. It is people like you that make it possible for us to put on a production, such as this one. I would personally like to say thank you, one and all, for your support.
So sit back, relax, and enjoy theatre at its best.
William P. Manis, II
Producer
Director's Note from the program
Dear friends,
Whenever a director attempts to write one of these letters, hundreds of thoughts fly through his or her head, each of them impossible to pin down on a sheet of paper. There are recollections of the difficult decisions, the excitement of rehearsals, the laughter and the tears.
But this year, as I stop to consider the life of Peter Quince, I feel a little different. As this year's show goes up, I must say farewell to Quince.
While I take my leave of the company and join the ranks of those who are too old for Quince, let me assure you that only a small fraction of what a Quincer learns is visible on the stage. We have learned to communicate and work with one another, to lead and at times to follow. We have learned to live successfully with one another.
I urge your continued support of this company and thank you for your help and understanding in years past. Without it, the company would cease to exist.
I also welcome you to our show. We have had a summer that will stay with us all our lives. So now, the final performances are for you.
Julie S. Gerndt
Co-General Director
Well, this certainly has been a summer to remember. Between the long hours, sweat, and hard work there have been many enjoyable "Moments of Madness", and as Rosie puts it, "Between the Moments of Madness and the office I've put in a good ninety hour week". But this is expected when you work with a company as valuable as Peter Quince.
Julie and I found that together, we could direct a show that will be as enjoyable and beneficial to you, the audience, as it was to the cast and crews, and ourselves.
Chris P. Jaehnig
Co-General Director