PETER QUINCE PERFORMING COMPANY, LTD.
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Cast

Minstrel: Jamie Wagner
Jester: Erin Satchell
Wizard: Chris Levanitz
Queen Aggravain: Emily Wagner
King Sextimus: Jason Myatt
Dauntless: Travis Bernhardt
Winnifred: Heather Kempfert
Lady Larken: Rachel Danay
Sir Harry: Collin Bernhardt
Nightingale: Naomi LaGrow

Ladies
Lady Rowena: Gwen Weyenberg
Lady Merrill: Lori Konitzer
Lady Lucille: Jenny Karbon
Lady Mabelle: Heidi Treptow
Lady Violet: Sarah Herrman
Lady Madonna: Vetania Komorowski
ALSO: Kelly Schweda and Kimberly
Paré

Knights
Sir Studly: Mike Koslowski
Sir Luce: Nathan Nolte
Sir Mixalot: Jeff Dafner
Sir Fink: Ryan Clarksen
ALSO: Justin Miller and Matt Brauer

Dance Troupe
Sir Harold: John Brodtke
Lady Beatrice: Laura Zboralski
Harlequins: Laura Wilker
Katherine: Stockman
Understudy: Natalie Wusterbarth

Wenches
Charlette: Katie Hoffman
Emily: Amanda Miller
Margeret: Jamie Seehaver
ALSO: Heather Hempel, Erin Chupita, and Lisa Skarda

Lesser Court
Angie Schmill
Rebecca Seehaver
Rachel Seehaver
Lindsay Vondrochek
Pit

Violin: Andrew Zinkel
Viola: Jill VandenBoom
Cello: Carissa Wiederholt
Flute: Penny Brusky
Clarinet: Amanda Retzak
Trumpet I: Andy Sieert
Trumpet II: Mike Kempfert
Trombone: Mark Stone
Percussion A: Andy Ruh
Percussion B: Jason Nickels
Bass: Jennifer Backus
Piano/Celeste: Grace Dodds
Harp: Rachel Dodds

Crews

Costume Crew:
Kay Meyer, Lori Konitzer, Rachel Danay, Erin Chupita, Heather Kempfert

Props Crew:
Kay Mayer, Erin Chupita, Rebecca Ardnt, Helena Miller, Amanda Miller, Katherine Stockman, John Brodtke, Terry Weller

Set Crew:
John Brodtke, Terry Weller, Amanda Wagner, Erin Chupita, Kay Meyer, Emily Wagner, Wyn Douglas, Michelle Trochill, Michelle Gamgan, Olivia Seiler, Helena Miller, Paul Brodtke, Nathan Nolte, Rachel Danay, Kelly Schweda, Heather Kempfert

Makeup Crew:
Kay Meyer, Amanda Wagner, Rachel Sincere, Rebekka Arndt, Denise Tector

Company Leadership
The Executive Committee of the Board of Directors

President: Emi Wagner
Producer: Jason Myatt
Vice-President: Drew Douglas
Secretary/Treasurer: Heather Kempfert
Public Relations Director: Kelly Schweda
Alumni Relations Chair: Gwen Weyenbert
Directing Staff

General Director: Craig Nickels
Musical Director: Drew Douglas
Choral Director: Rachel Sincere
Choreographer: John Brodtke and Rachel Nickels
          Assisted by: Rachel Danay, Lori Konitzer, Laura Wilker, Katherine Stockman
Technical Director: John Brodtke, Terry Weller 

​
​Production Council


Master Carpenter: Paul Brodtke
Art Designers: Kay Meyer
          Assisted by: Amanda Wagner
​Costume Designers: Emily Wagner

Makeup Designers: Emily Wagner
Lighting Designer: Rick Klein 

Musical Numbers
Act One 
Prologue: Many Moons Ago

Scene 1: Opening For A Princess
In A Little While
Scene 2: In A Little While (Reprise)
Scene 3: Shy
Scene 4: Sensitivity
Scene 5: The Swamps Of Home
Scene 6
Scene 7: Normandy
Scene 8
Scene 9: Song of Love

Act Two 
Scene 1: Opening-Act II

Scene 2: Happily Ever After
Scene 3: Man to Talk
Scene 4
Scene 5: Shoes
Scene 6: Yesterday I Loved You
Scene 7: Nightingale Lullaby
Scene 8
Scene 9: Finale 

​Minstrel
​Dauntless, Larken, Ladies, Knights
​Harry, Larken
​Harry, Larken
Winnifred, Knights, Dauntless, Queen, Ladies
​Queen, Wizard
​Winnifred, Ladies, Dauntless

​Minstrel, Larken, Jester

​Dauntless, Winnifred


Company
Winnifred
Dauntless, King

Jester
Harry, Larken
Nightingale

​Company


Program Notes
Producer's Note from the program

Every year the Producer writes a note relating to the magic of Quince. But the real magic comes not on the stage, but behind it. The weeks of rehearsal and the months of preparation. But the most overlooked part of Quince is the business side of the company. The people who go out and sell ads and convince the community to donate their money to us. Without those people of you in the audience there would be no Quince. So I want to take a moment to thank you all. And I hope that Quince will show you tonight that your money was well spent. The magic of Quince Continues to touch the lives and hearts of Manitowoc youth and I hope that comes through tonight.
​
Jason W. Myatt
Producer/Chairman of the Board 

Director's Note from the program

One of the problems I've run into theatre (and live in general) is people's insistence of living in a dichotomy of right and wrong. Far too many actors (and directors) assume there is only one right way to play a part. This is untrue. This is easy to understand considering how much we are pushed in that direction since birth: "chew with your mouth closed", "Don't leave class until the bell rights", "Speed Limit 25", etc. etc. etc. This attitude has little place in theater, or in the arts in general. Was ee cumming's punctuation wrong? Did Picasso paint wrong? It is true that there are more and less interesting and effective ways of getting a message across, but an actor/artist must explore every possibility without limiting themselves to what is "right".
This also (conveniently) is one of the main overlying themes in our show. The idea of right ways for royalty/court members/etc. to behave are constantly stretches and mocked, much to the dismay of those like the queen.
Speaking of stretching and mocking, I would like to thank my cast and crew for their hard work and dedication. Extra special thank to the board of directors and directing staff for their extra time and work in the off-season. Thank also to Steve Gibson, Bill Hansen, James Woodland, Tom Nevins, and others for teaching me questions, not answers.

Craig J. Nickels
General Director 

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  • Home
  • About Us
    • About PQPC
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  • FAQs
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    • In Memory
    • Past Member Memories
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