Cast                                                                                                                                          Pit

Edward Bloom
Will Bloom
Sandra Bloom
Josephine Bloom
Amos
Karl
Witch
Jenny
Don Price
Zachy Price
Young Will
Ensemble

Henry Rotter
May Heili
Addison Fowler
India Anclam
Logan Lopez
Nicklas Michaelson
Morgan Stock
Lila Lor
Rudy Rotter
Max Schoepp
Reyana Jansen
Alex Kaminski, Amelia Fowler, Ash Stokes, Cody Smogoleski, Ethan Stokes, Grace Knutson, Ian Onesti, Jack Hyde, Mackenzie Stokes, Marley Hansen, Maya Gadzinski, Nathan Luckow, Sophia Kraynek, Talise Meisner, Timothy Wilson, Vanessa Stalvey, Violet Siegfried

Piano
Flute, Piccolo, Alto Flute
Flute, Oboe, English Horn, Soprano Saxophone
Clarinet, Alto Saxophone, Tenor Saxophone
Clarinet, Bass Clarinet, Tenor Saxophone, Bari Saxophone
Trumpet
Horn
Violin
Viola
Cello
Guitar 1
Guitar 2
Bass
Percussion
​Drum Set



Crews

Ben Vaganov
Taylor Vega
Abbey Barnett


Jonnel Ramirez-Rivera


Kalina Akgulian


Aliya Hammer
Izzy Bennett
Noah Van Ells
Olivia Schewe
Rori Beatty
Jake Puestow
Chloe Johanek
Justin Liska
TJ Pope
​Alethea Quick

Stage Manager
Assistant Stage Manager
Sound Op
Light Op

Stage Crew

Zane Kelly
Jordan Shavlik, Vince Kelly
Becca Weigel
Noah Verhasselt

Samanatha Czekala, Teresa Iannitello, Matthew Zimmer, Chloe Wood, Aeryn Kozak

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Company Leadership

The Executive Committee of the Board of Directors
Presidents: Henry Rotter & Noah Verhasselt
Vice Presidents: Gabby Damian & Kaelle Hoeppner
Secretary Treasurers: Nick Michaelson & Rudy Rotter
Public Relations: Red Moser & Samantha Krueger
Producers: Michaelyn Akgulian & Kelsey Zdziarski





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The General Committee of the Board of Directors
Alumni Relations: Noah Verhasselt
Fundraising: Addison Fowler & Marley Hansen
Internet: Nick Michaelson
History: Abbey Barnett & Sam Czekala
Bylaws: Red Moser & Teresa Iannitello
Education: Riley Seib
Social Activities: Vanessa Stalvey & Jonnel Ramirez
COVID Representatives: Kalina Akgulian & Nolan Winter

Directing Staff
General Director: Bryce Kelly Howe
Pit Director: Kalina Akgulian & Joey O'Connor
Choral Director: Atlas Gregory, Rori Beatty, & Marley Hansen
Technical Director: Nolan Winter
Choreographer: Sophie Floyd

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​Production Council
Stage Manager: Zane Kelly
Assistant Stage Manager: Jordan Shavlik & Vince Kelly
Costume Designer: Samantha Krueger, Em Schaller, & Kaelle Hoeppner
Make-up/Hair Designer: Michaelyn Akgulian & Addison Fowler
Art Designer: Anthony Otero
Set Designer: Nolan Winter
Props Master: Abbey Barnett & Sam Czekala (With special thanks to May Heili)
Master Carpenter: Bryce Kelly Howe, Nick Michaelson, Henry Rotter, & Noah Verhasselt

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Musical Numbers

Act 1
Scene 1
#1 Prologue
Scene 2
#2 Be the Hero (Edward, Ensemble)
#2A The Hero - Playoff (Underscore)
#2B Before the Swamp (Underscore)
Scene 3
#3 I Know What You Want (Edward, Witch, Witches)
#3A Edward's Vision (Underscore)
#3B I Know What You Want Reprise (All Witches)
#3C Witch Playoff (Underscore)
Scene 4
#4 Alabama Wedding (Underscore)
Scene 5
#4A Just Take Another Look (Underscore)
Scene 6
#4A Just Take Another Look (cont.)
#5 Stranger (Will)
Scene 7
#5 Stranger (cont.)
#5A Phone Call (Underscore)
Scene 8
#5B After Stranger (Underscore)
#6 Two Men In My Life (Sandra)
#7 Ashton's Favorite Son (Jenny Hill, Townsfolk)
Scene 9
#7A Edward Walks (Underscore)
Scene 10
Scene 11
#8 Out There On The Road (Edward, Karl, Jenny Hill, Townsfolk)
#8A Will and Josephine (Underscore)
#8B The Tornado (Underscore)
#8C Calloway Circus (Underscore)
Scene 12
#9 Little Lamb From Alabama (Sandra, Two Friends)
#10 Time Stops (Edward, Sandra)
#10A Alabama Tag (Underscore)
#11 Closer to Her (Edward, Amos, Circus Folk)
Scene 13
#12 Daffodils (Edward, Sandra)

Act 2
Scene 1
#13 Entr'acte (Underscore)
#14 Red White and True (Edward, Sandra, Ensemble)
#14 Red, White, and True Playoff (Underscore)
#14B Campfire Dance/Daffodils Transition (Underscore)
Scene 2
#15 Fight the Dragons (Edward, Young Will)
#15A Stranger - Reprise (Will)
Scene 3
#15B Eden River (Underscore)
#15C Pre-Showdown (Underscore)
#16 Showdown (Edward, Will, Ensemble)
#17 I Don't Need A Roof (Sandra)
#17A Jenny Hill (Underscore)
Scene 4
#17A Jenny Hill (cont.)
Scene 5
#18 Start Over (Edward, Don Price, Amos, Karl, Ensemble)
#18A Start Over Reprise (Edward)
#18B Transition to Hospital (Underscore)
Scene 6
#18C Time Stops Reprise (Underscore)
#19 What's Next (Edward, Will, Don Price, Zacky Price, Ensemble)
#20 How It Ends (Edward)
Scene 7
#21 The Procession (Ensemble)
#22 Be The Hero Reprise (Will)
#23 Bows
#24 Exit Music

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Program Notes

 Producer's Note from the program
Welcome All,

The story of Big Fish is one that touches people of all ages. Through this tale of adventure, romance, and a quest to understand and forgive, the two of us have grown a large appreciation for the world of theater, and the magic that can be made on stage to allow an audience to fully submerge themselves into story.

The experience of holding the title of Producer has allowed us to discover new aspects about ourselves and gain skills and friendships that will be kept with us as we transition into adulthood. With a large range of background experience, the two of us, Kelsey Zdziarski (21) and Michaelyn Akgulian (19), knew we would collaborate as a team to provide support and guidance through the process of Quince's 54th season. By working as a pair this summer, there was always a shoulder to lean on, provide support through difficult times, and suggest ideas. Without each other, Big Fish would not be the same as what you see on stage.

The magic of Peter Quince is surrounding yourself with young adults pursuing something they love. Both of us have never held a position like that of being Producer, yet Quince has allowed us to step outside of out comfort zones and take on a role they would not normally not be provided to individuals with a little experience. This summer has been a learning opportunity, and by being surrounded by other talented individuals created a bond that will never be broken. Each member of our directing staff, who dedicate so much of their time to creating a masterpiece, have allowed for Big Fish to Flourish. It has been a journey to witness our General Director, Bryce Howe, take simple words off a page and transform them into true emotions and a visual representation of a truly powerful story. Our Choreographer, Sophie Floyd, has allowed our cast to be challenged through dance, and provides immense encouragement. With our Choral Team's Atlas, Gregory-Hampton, Rori Beatty, and Marley Hansen, assistance, the incredible talent and passion from our cast has shined. Lastly our Pit Directors, Kalina Akgulian and Joey O'Connor, have created an encouraging environment for one of the most important aspects of a musical, the musicians. Throughout the summer, the immense dedication from out team has allowed Quince to continue to strive as a welcoming and safe community.

We owe a great thank you to our amazing cast, crew, and pit orchestra musicians. Without the constant hard work, dedication, and understanding, Big Fish would remain an empty story. By implementing artistic decision and incorporating heart and soul into each scene, this musical has really transformed into something beautiful.

We thank everyone for attending Peter Quince Performing Company's production of Big Fish. So much love has been poured into this show, and we hope everyone is able to witness the artistry firsthand.

Your 54th Season Producers,
Kelsey Zdziarski and Michaelyn Akgulian


Director's Note from the program
Hello to all!

Personally, I didn't grow up in a theater household, and I didn't grow up in a household that thrived on any of the arts. I first got on stage just over five years ago after following a girl I though was cute into an audition. After having an 'okay at best' time with that, I found myself auditioning for a production with the Peter Quince Performing Company. This company became such a huge source of joy in my life with a week, having such a unique environment made of independent young people stuffed with so much energy at all times. The way that everyone was able to be their own person and accepted instantaneously, the way that the whole company was able to build upon one another, the way that I was able to see these people every day for three straight months and still feel like there was nowhere else I'd rather be was just addicting. Since then, being a part of this company has been a necessity in my eyes, and sharing it with friends, new and old, was always one if not the driving force that kept me coming back.

Throughout my time here, there has always been some kind of lingering itch to take on a directing position. Something about watching the lines on a script transform into a sometimes life-changing experience is just on of the most incredible magic tricks the world has to offer in my eyes. Every so often, there would be a moment that I was involved with on stage that I'd be able to make a decision of my own, and it would always make me feel so fulfilled to watch even small ad-libs I had created or the way I was able to make a characters body language distinct. I found the addicting nature of Quince to reinvent itself in such a compelling way that even though I had no experience directing in the past, I couldn't imagine not pushing myself to the next step to the directors' chair.

I'd feel remiss if I didn't thank everyone who has made this production happen. The cast, the pit, the crew, the rest of the directing staff, my friends, my family, my private consultant, the alumni the Capital Civic Center staff, the people who bought a burger at our brat fries, the people who spread the word about our company, Wilson Middle School, Lincoln High School, Roncalli High School, Treehouse Theater, Theater for Young Audiences, The Masquers, to the many people and groups I missed, and of course, to you as an audience member. Thank you for taking your time and effort to be here with us because there is truly something magical about not just this production; but this company. My only hope is that the magic is able to come through our work and into your life.

It doesn't matter how you got here; what matters is what you choose to do once you have arrived. I encourage each and every one of you to get involved with this group, on or off stage, just pushing someone you know to try a new thing, or even following a cute girl to an audition. It has undoubtedly changed my life, and I hope it changes yours.

Yours in Quince
Bryce Kelly Howe